thresholds
This strand brings together works concerned with crossing, separation and states of transition. Physical borders, perceptual boundaries and imagined passages become sites where one condition begins to shift into another. Through sculpture, installation, painting, moving image and text, the works move between presence and absence, here and elsewhere, the visible and what may lie beyond it.
Between Two Worlds — 2020
plaster, magnifying glass, plastic and metal
between one state
and another
Hysteron Proteron — 2026
site-specific installation
what remains
when presence
can no longer be measured?
Hysteron Proteron site-specific installation 2026 plaster-hair-baby teeth and love
Current research — Threshold of Presence, 2026
Threshold of Presence develops from an ongoing enquiry into what remains after presence begins to disappear: residues accumulated through activity and time, marks retained within a place, and matter that settles to form a kind of sediment.
Moving from traces gathered within the studio towards those carried by bodies and environments, the research considers what may persist when the event or person that produced them is no longer present.
Through biological traces—including hair and naturally shed teeth—alongside an empty tray representing love, the work brings material, bodily and emotional forms of presence into relation. It asks what can be identified as evidence of a person, how long such evidence may persist, and at what point it becomes undetectable.
The research explores dialogues with biomedical science and technological systems of sensing, recording and translation. It considers how presence becomes measurement, data, image or material record; what may be lost as information passes from one form into another; and what gradually disappears—or continues to remain—beyond the limits of measurement.
elsewhere
all tears- site-specific installation Hysteron Proteron 2026
a line separates.
a crossing transforms.
Nor Here Nor There — 2021–ongoing site-responsive
Nor Here Nor There develops through text, light, mapping and moving image in relation to the divided city of Nicosia. While the city is visibly organised through separation, another reality exists beneath it: the wastewater systems serving the two communities converge underground.
This unseen infrastructure becomes a point of necessary collaboration — a place where the distinction between “here” and “there” becomes materially difficult to sustain.
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Nor Here Nor There — we are in this shit together
Beneath the political border, the two sides remain connected through a system that depends on cooperation and shared responsibility.
we are in this shit together emerges from this condition almost literally: even through waste, the city reveals an underlying union that division cannot completely erase.
Research informing this project was developed through Perceiving Academy 2018, Cyprus.
Metavasis —2026 video loop projection